Addison LIBRARY: MedeaFrom Palala Press

MedeaFrom Palala Press

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Published on: 2015-09-18
Original language: English
Number of items: 1
Dimensions: 9.21" h x .38" w x 6.14" l, .86 pounds
Binding: Hardcover
150 pages

Review
“Lively. . . . Tragedy's (and comedy's) alternation of speech and song provide the . . . fundamental rhythmic dynamic, and a good translator will use different registers to capture this alternation. Here, Taplin is very successful, and many passages in the odes convey both the intensity of the lyric mode and the contrast with the spoken rhythm that precedes and follows.” (Bryn Mawr Classical Review)

“Taplin’s eminently readable version of this harrowing tragedy justifies his reputation as one of our foremost experts in dramatic criticism, whose pioneering efforts in illuminating ancient stagecraft remain indispensable today.” (Froma Zeitlin, Princeton University)

“Euripides’s influential and provocative Medea continues to be read, performed, adapted, and reinterpreted in multiple contexts across the globe. Taplin’s accessible and performable, yet vivid and poetic translation makes the play available to a modern audience while doing justice to both its complexities and its horrific power.” (Helene P. Foley, Barnard College, Columbia University)

“Taplin translates Medea into clear and contemporary English while reflecting well the different registers and tones that create the subtle texture of Greek tragedy. His version is eminently speakable, but also highly faithful to the original Greek, making it ideal for instructors and readers who want to study closely the specific metaphors and terms that carry the classic themes of this influential drama.” (Donald J. Mastronarde, University of California, Berkeley)

“Taplin’s volume offers the raw bones of a brilliant production.” (Francesca Middleton Times Literary Supplement)

From the Back Cover
Anthony Podlecki is professor emeritus at the University of British Columbia. Educated at Holy Cross College, Oxford University and the University of Toronto, he taught at Northwestern University and Pennsylvania State University before joining the staff of the University of British Columbia in 1975. He has translated various Greek tragedies and has written several books on Athenian history.

About the Author
Euripides (c. 480 406 BCE) wrote some ninety plays, nineteen of which have survived.

Most helpful customer reviews

5 of 5 people found the following review helpful.
It does the job
By B. Lotfinia
Kwintner's edition, being part of the Bryn Mawr series, will get you through the Greek if you're approaching the text early in your career. Don't expect extensive information about the Medea myth or Attic tragedy or copious literary or cultural notes, since Kwintner focuses on morphology, vocabulary (she does seem fond, however, of pointing out the odd instance of chiasmus). Be aware that there are errors in the text: on at least two occasions there was a superfluous omega with iota-subscript instead of a space between two words. There were also parts in the commentary that my professor disputed, but make of that what you will. In terms of the book's physical construction, the spiral-binding is beyond irritating: I found it impossible to open and close with ease. The paper is also cheap, even by comparison to other entries in the BMC series: in terms of durability, it's somewhere between a newspaper and a photo-copy.

Considering the low price and target audience, these are forgivable faults, but skip this volume and proceed directly to Mastronarde's Cambridge edition if you don't need the linguistic hand-holding.

2 of 2 people found the following review helpful.
Find another edition if you can
By S.
Euripides' Medea is essential reading for any Greek student but Kwintner's edition doesn't really do it justice. There are a lot of bizarre typos in the Greek text -- and a beginning Greek student will have a hard enough time with a perfect text, let alone one that's been messed up by the editor. I bought this for a course and shortly afterward switched to the edition by Denys L. Page. Apparently the Cambridge edition is also very worthwhile.

4 of 6 people found the following review helpful.
Fine performance enriches Medea for listener
By A Customer
This fine production shows how hard Medea is to stage even in audio. The power is dissipated when Medea screeches her anger. Her quiet is stronger than her loud. Listening to this performance deepens our feeling for this great play.

Addison LIBRARY

Rabu, 23 Juli 2014

MedeaFrom Palala Press

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