Minggu, 31 Agustus 2014

Life On The MississippiFrom CreateSpace Independent Publishing Platform

Life On The MississippiFrom CreateSpace Independent Publishing Platform

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Life On The MississippiFrom CreateSpace Independent Publishing Platform

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Original language: English
  • Dimensions: 11.00" h x 8.50" w x .91" l, 2.03 pounds
  • Binding: Paperback

Review
''Mark Twain was the first truly American writer, and all of us since are his heirs.'' --William Faulkner

From the Publisher
8 1.5-hour cassettes

From the Back Cover
Part travel book, part autobiography, and part social commentary, Life on the Mississippi is a memoir of the cub pilot's apprenticeship, a record of Twain's return to the river and to Hannibal as an adult, a meditation on the harsh vagaries of nature, and a study of the varied and sometimes violent activities engaged in by those who live on the river's shores.

Most helpful customer reviews

118 of 123 people found the following review helpful.
One of Twain�s Greatest!
By M. Allen Greenbaum
This book--at times disjointed, rambling, self-referential, and irreverent--is decades ahead of its time. It's an interdisciplinarian's dream as Twain takes on economics, geography, politics, ancient and contemporary history, and folklore with equal ease. Mostly though, one appreciates his knack for exaggeration, the tall tale, and the outright lie. It's a triumph of tone, as he lets you in on his wild wit, his keen observation, and his penchant for bending the truth without losing his credibility as a guide.
The book's structure is also modern: He recounts his days as a paddlewheel steam boat "cub," piloting the hundreds of miles of the Mississippi before the Civil War, then, in Part 2, returns to retrace his paddleboat route. Although a few of his many digressions don't work (they sometimes sound formulaic or too detailed) most of the narrative is extremely entertaining. Twain seems caught between admiration and disdain for the "modern" age-but he also rejects over-sentimentality over the past. He writes with beauty and cynicism, verve and humor. Very highly recommended!

44 of 46 people found the following review helpful.
The Book I Would Choose On A Deserted Island.
By StoryReader
I found this to likely be the most interesting book I have ever read. The attention to detail and description place you within the story. This book is actually, I believe, an autobiography of Mark Twain's (Samuel Clemmons) life as a young man piloting steamboats up and down the Mississippi River.

Whether the man, Mark Twain, interests you or not, Life on the Mississippi, is an eye opening look at America in an earlier era.

In my (humble) opinion this is Mark Twain's best work.

66 of 74 people found the following review helpful.
A compelling monologue of biography, geography and history
By Corinne H. Smith
Let me guess: your total exposure to Mark Twain came in high school, when you were forced to read about the antics of Huck Finn or Tom Sawyer, right? Well, now that you've reached adulthood, you should make time to read _Life on the Mississippi_. It's mandatory reading if you live in a state that borders the great river, anywhere from Minnesota down to Louisiana. It's mandatory reading if you have come to that point in life when you can suddenly appreciate American history and post-Civil War stories written by someone who lived through that time.
Writing in the first half of the 1870s, Twain retraces the steps of his youth: the watery highway he knew when he trained to be a riverboat pilot nearly 20 years earlier. He speaks of how life _was_ along the river, and what life _became_. It's almost a "you can't go home again" experience for him, while the reader gets the benefit of discovering both time periods.
I have two favorite parts that I share with others. Chapter IX includes a wonderful dissertation about how learning the navigational intricacies of the river caused Twain to lose the ability to see its natural beauty. And Chapter XLV includes an assessment of how the people of the North and the South reacted differently to the war experience. If I were a social studies teacher, I'd use that last passage in a unit on the reconstruction period. So put this title on your vacation reading list, and don't fret: the chapters are short and are many -- 60! -- but you can stop at any time, and the words go by fast. _Life on the Mississippi_ should make you forget all about any Twain trauma and report-writing you may have suffered as a teenager. [This reviewer was an Illinois resident when these comments were written.]

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Sabtu, 30 Agustus 2014

Project Apollo: The Tough Decisions, by Robert C. Seamans, National Aeronautics and Space Administration (NASA)

Project Apollo: The Tough Decisions, by Robert C. Seamans, National Aeronautics and Space Administration (NASA)

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Project Apollo: The Tough Decisions, by Robert C. Seamans, National Aeronautics and Space Administration (NASA)

The book reviews the major Mercury and then Gemini precursors for the Apollo mission program and its development and mission sequence. But, very importantly, it describes the major and often complex deliberations that encouraged inputs from the broad range of informed internal Agency individuals in order to arrive at the resulting actions taken; it recognizes differences among their various views, including even sensitivities within the leadership of the Agency, and it acknowledges NASA's relationships with the President and key executive branch personnel, as well as the very important and often complex relationships with members of Congress. The process of writing this book was searching and comprehensive. The achievement of the world's first manned lunar landings, after the earlier Mercury and Gemini programs played catch-up to match the Soviet Union's advanced position, clearly established the United States' preeminence in space. Early in the book, Bob describes an extended meeting in the White House in which the President's views and those of Mr. Webb were seriously discussed. Bob tells how, through Apollo's lunar landing, NASA clearly met both President Kennedy's goal to overcome the Soviets' leadership image and James Webb's goal to use Apollo as a major part of his program to demonstrate U.S. technological preeminence.
Apparent throughout this report is the outstanding competence and capability of the NASA organization in its Centers and Headquarters. The Agency's leadership was clearly committed to providing the budget and other requirements to achieve the clearly defined program goals. The major progress in establishing the mission flight system elements and facility infrastructure was started under NASA's first administrator, Keith Glennan, well before the Apollo mission was defined. This report shows the major new capabilities that were required in this still-new organization to achieve this objective--operational Field Centers; entirely new facility capabilities; the technology development and equipment base; the organizational strengths, including the integrated management systems; and overall in-house competence in all of the necessary areas even while the Agency relied heavily on significant outside contractor and university capabilities to implement many of the required functions. Ultimate responsibility always remained within the NASA organization. The lunar landing was an outstanding achievement that met all its goals.
163 pages, dozens of photographs, drawings, illustrations and charts.
This is a Print Replica that maintains the formatting and layout of the original edition and offers many of the advantages of standard Kindle books.

  • Sales Rank: #1575427 in eBooks
  • Published on: 2015-09-09
  • Released on: 2015-09-09
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Project Apollo
By M. Nagle
Love everything Apollo especially monograph original documents even though it's a reprint. Love
in the reprint nothing has been altered or changed!

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Jumat, 29 Agustus 2014

Matter and motion, by James Maxwell

Matter and motion, by James Maxwell

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Matter and motion, by James Maxwell

Matter and motion. 148 Pages.

  • Sales Rank: #981929 in eBooks
  • Published on: 2015-09-22
  • Released on: 2015-09-22
  • Format: Kindle eBook

About the Author

James Clerk Maxwell: In His Own Words — And Others
Dover reprinted Maxwell's Treatise on Electricity and Magnetism in 1954, surely one of the first classics of scientific literature over a thousand pages in length to be given new life and accessibility to students and researchers as a result of the paperback revolution of the 1950s. Matter and Motion followed in 1991 and Theory of Heat in 2001.

Some towering figures in science have to speak for themselves. Such is James Clerk Maxwell (1813–1879), the Scottish physicist and mathematician who formulated the basic equations of classical electromagnetic theory.

In the Author's Own Words:
"We may find illustrations of the highest doctrines of science in games and gymnastics, in traveling by land and by water, in storms of the air and of the sea, and wherever there is matter in motion."

"The 2nd law of thermodynamics has the same degree of truth as the statement that if you throw a tumblerful of water into the sea, you cannot get the same tumblerful of water out again." — James Clerk Maxwell

Critical Acclaim for James Clerk Maxwell:
"From a long view of the history of mankind — seen from, say, ten thousand years from now — there can be little doubt that the most significant event of the 19th century will be judged as Maxwell's discovery of the laws of electrodynamics. The American Civil War will pale into provincial insignificance in comparison with this important scientific event of the same decade." — Richard P. Feynman

"Maxwell's equations have had a greater impact on human history than any ten presidents." — Carl Sagan

Most helpful customer reviews

14 of 18 people found the following review helpful.
good for the price
By A Customer
definitely not the best intro to newton mechanics but if you already know it and need the info in a new prespective this book will do you.NOT A SELF STUDY GUIDE.Is best when used as a review.

6 of 7 people found the following review helpful.
From the horses mouth
By Muzaffer Muctehitzade
This is how founding fathers thought and wrote about the Matter and Motion. It is a nostalgic reading. Maxwell himself wrote about Matter and Motion of course based on Newtonian Physics. You do not learn any new Physics unless you are doing study in the History of Science. Maxwell basically starts with definition of concepts in Newtonian Mechanics and explains Newton's laws of Motion. Force, Energy, Momentum all the good staff. Short book and interesting piece of history. Definitely worth reading of it for leisure or for study.

2 of 2 people found the following review helpful.
Do not buy the Kindle edition!
By jww
The Kindle edition is--except for the front matter and the first page of the text (scanned pages)--an uncorrected, unedited, OCR rendition with words so badly mangled that sometimes they cannot even be guessed from context. Sentences are interrupted with the text of footnotes appearing as part of the main text. Some diagrams are scanned images (okay) and others appear as gibberish. Use "Look inside" on the Kindle page to see what I mean. (I neglected to do that.)

The "cover" shows the initial page for scanned books in the Google Books collection, including the request for non-commercial use. If you want a digital version of this book, I suggest a PDF (free) from Google Books.

I returned it for a refund of my $0.99.

The five-star rating is for Maxwell's work, which does not deserve the shabby treatment of this Kindle edition.

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Kamis, 28 Agustus 2014

Jack London: A Writer's Fight for a Better America, by Cecelia Tichi

Jack London: A Writer's Fight for a Better America, by Cecelia Tichi

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Jack London: A Writer's Fight for a Better America, by Cecelia Tichi

Jack London (1876-1916) found fame with his wolf-dog tales and sagas of the frozen North, but Cecelia Tichi challenges the long-standing view of London as merely a mass-market producer of potboilers. A onetime child laborer, London led a life of poverty in the Gilded Age before rising to worldwide acclaim for stories, novels, and essays designed to hasten the social, economic, and political advance of America. In this major reinterpretation of London's career, Tichi examines how the beloved writer leveraged his written words as a force for the future.

Tracing the arc of London's work from the late 1800s through the 1910s, Tichi profiles the writer's allies and adversaries in the cities, on the factory floor, inside prison walls, and in the farmlands. Thoroughly exploring London's importance as an artist and as a political and public figure, Tichi brings to life a man who merits recognition as one of America's foremost public intellectuals.

The enhanced e-book edition of Jack London features significant archival motion picture footage.

  • Sales Rank: #1249898 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.54" h x 1.06" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 296 pages

Review
London steps from Tichi's pages as a self-educated intellectual absorbed by the plight of the downtrodden and the oppressed.--Foreword Reviews



Tichi paints a portrait of Jack London as a champion of progressive causes.--Chapter 16



[A] persuasive reappraisal of Jack London. . . . Brings a fresh perspective to an author and thinker frequently dismissed as a mere writer of adventure fiction.--Publishers Weekly



An illuminating study of a literary figure long receded into stereotype. . . . A fruitful, well-written blend of cultural history, literary criticism, and biography.--Kirkus Reviews



Strongly recommended for London devotees and for anyone with an interest in the evolution of social reforms in America.--Library Journal

Review
Cecelia Tichi reflects Jack London's astounding energy and emphasizes the importance of journalism to the essential drive that defines him. This is a valuable and rewarding work.--Joseph Flora, University of North Carolina at Chapel Hill



This book is a brilliant integration of the age and its literatures, reaching deeply into London's significance as an artist and political and public figure of his era. Cecelia Tichi has created a stunning contribution to Jack London studies.--Jeanne Reesman, University of Texas at San Antonio

About the Author
Cecelia Tichi is William R. Kenan Jr. Professor of English and professor of American studies at Vanderbilt University. She is author of Civic Passions, Exposes and Excess, and Embodiment of a Nation.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Biography or Autobiography?
By Amazon Customer
If you want to know about the writer, read this book; if you want to know about Jack London, read Jack London. Biographies have gotten blessedly shorter and begun to own their points of view, and this one avoids the pitfalls of Pulitzer-Prize winning biographies that attempt to appeal to users of social media, and now books and films--like this one--are using biography as a means to express all kinds of unrelated issues--like those that reduce Alan Turing to a carboard character (Codebreaker excepted). WIll keep looking for a way to comprehend Jack London as a man and not one of those cardboard characters...

3 of 4 people found the following review helpful.
What Drove Jack London
By Catbern
This author interpreted London's writings as his calling for a government that treats the working class as worthy and important to the welfare of American economics. This interpretation intents to explain London's passion for social justice and his railing against the Titans of Wall Street.

0 of 0 people found the following review helpful.
Carries the torch and passes it on, but not without some burns.
By Simple Jack
“Cecelia Tichi has managed to accomplish, in a single modest volume, what a double-handful of previous authors -- credentialed academics all -- have failed to achieve.”

The above comment is what I find written in the first of some sixteen pages of notes I took while reading Tichi’s “Jack London: A Writer’s Fight for a Better America.” It was inked after reading the first two chapters; after finishing the next two, I thought, “Whoa, not so fast.”

Tichi’s book is what we’d call today a “bump” of a thread originating in 1939 by Jack’s daughter, Joan London, in her book “Jack London and His Times.” Joan opens her book with a quote from Jack himself:

“The pity of it is that the writer-folk are writing for bread first and glory after; and that their standard of living goes up as fast as their capacity for winning bread increases, so that they never get around to glory -- the ephemeral flourishes, and the great stories remain unwritten.”

- Jack London

It isn’t difficult to see that she intended to portray her father as an apostate from the socialist cause, a sellout who never wrote a great story and was more concerned with winning bread. She performs a clever character assassination of her father, calling his poems “poor, lifeless things which gave back not the faintest glow of ardor which had gone into their composition.” Elsewhere she states, “Perversely, with a high disregard for tradition, he had chosen as a field in which to make money one which had hitherto been loftily dedicated to the finest expressions of man’s thoughts and aspirations with no though of pecuniary reward.” Later, she claims his socialist writings were “mediocre” and accuses him of turning out mostly “polished trash.”

History has shown Joan London to be seriously in error, and perhaps delusional. Not only has her father proven to be more than a minor literary figure, as she predicted, his stature as an American and world author is now legendary. He is far more translated and read than any other American author worldwide, and his work is experiencing yet another remarkable resurgence, not just because it’s darn good reading, but because of its extraordinary relevance to social, political, and economic conditions both here and around the world.

This is where Cecelia Tichi has once again grasped the torch that burns with Jack London’s passion for humanity and the written word; with her new book she has carried it straight into the public consciousness, to again illuminate our imagination with the thinking and work of Jack London.

That flame was previously carried by two other authors. The most important of these is Philip S. Foner, who wrote “Jack London: American Rebel” (1947). Foner calls his book “a collection of social writings along with an extensive study of the man and his times.” My review of his book states “Foner's book leaves absolutely no doubt that Jack London was the most prominent socialist in all of American history, let alone American literature. London's book “The Iron Heel” also demonstrates this, but the vast bulk of Jack London's powerful, convincing contribution to the advent of socialistic policies -- and important changes in the way we do business in this country -- has been deliberately overlooked, ignored, or suppressed by those who are uncomfortable with it.”

Foner also published excerpts from Jack London’s most important socialist works, along with many short stories and essays which dealt with social, political, and economic issues.

What is significant about Foner’s book is that he wrote it with the cooperation and collaboration of several key people who were still living at the time. He worked directly with Charmian London, Upton Sinclair, and Irving Shepard to create this volume, which provides a distinction of having access to credible and original sources that no one can today claim.

Unfortunately, Foner’s book is not well-known now except by those interested in the deeper aspects of Jack London studies. This is where Cecelia Tichi’s work becomes important, as it reintroduces this extremely important aspect of Jack London’s life’s work -- that is, his activism and advocacy for positive social change -- to a brand new audience.

Initially, Tichi’s book showed a very clear sense of purpose and direction. Her introduction, a dramatization of Jack London’s seismic speech at Yale University on January 26, 1906, is a slam dunk, and lassoes the reader straightaway. By Chapter Two she squares off the young firebrand Jack London with Ivy Ledbetter Lee, one of the first acknowledged public relations professionals, who claimed Standard Oil as one his initial clients.

But as the book progresses, one begins to wonder whether it was really intended as a clear-headed commentary on London’s social writings, or a conventional biography. The style of the book ranges from the clinically academic to that of a biographical novel, with sections that can only be termed dramatizations or speculation. An inordinate amount of time is spent on plainly conventional biographical material that is easily found elsewhere.

Tichi also reveals some surprising gaps in her research. Some are minor, some perhaps a bit more than that. For example, in discussing “Before Adam” (London’s seminal fictional work on pre-Adamic history) she wrongly states that the character “Red Eye” is the “chief of the Fire People.”

Red Eye, far from being the chief of the Fire People, was an outcast in protagonist Big Tooth’s own “Folk” and according to the book’s narrator would have been better off as one of the Tree People, the lowest standard of living in Big Tooth’s world. Red Eye was a violent social pariah who murdered and stole at will, living among the Folk as a feared but uncontested resident. The chief of the Fire People (so-called because they had discovered the use of fire, as well as tools and weapons like the bow and arrow) was a wizened old man, crippled but crafty, who leads his tribe on a rapine conquest of the Folk. This error would suggest Ms. Tichi didn’t actually read ‘“Before Adam” but referred to someone else’s erroneous notes.

Another mistake is her comment that Jack London was irritated when reviewers called his “White Fang” a reversal of “The Call of the Wild”. From the outset, “White Fang” was conceived by London as exactly that. In a December, 1904 letter to publisher George Brett, London writes, “I have an idea for the next book I shall write...not a sequel...but a companion...I’m going to reverse the process. A complete antithesis to ‘The Call of the Wild’.”

This distinction is important with respect to literary criticism and a proper evaluation of “White Fang”. For this to be missed is puzzling.

Another error that raised an eyebrow was her use of an image of Jack London which she characterizes as “sailor and workingman.” The photograph purports to be that of London on his way to the docks or jute mill, clad in the garb of the working class. However, that image is not of Jack London as an exploited worker. It is instead from a series of publicity images taken in the city of London during his stay there in 1902 while working on “The People of the Abyss.” The clothes, according to Jack, were acquired at an “old-clothes shop”. As London relates, “In the end, I selected a pair of...well-worn trousers, a frayed jacket..., a pair of brogans which had plainly seen service where coal was shoveled, a thin leather belt, and a very dirty cloth cap.”

It is apparent when examining the photographs that these are exactly the clothes he is wearing in the image on Page 148 of Tichi’s book. Final proof of the origin of this photo comes from Jeanne Campbell Reesman’s “Jack London, Photographer” which includes additional photos from that series. One image in the above book is captioned “Jack London as an East-ender, England, 1902” and a second is entitled, “Jack London and Bert, a cobbler, London, 1902”.

The problem here is not that the image is particularly disingenuous, or that Jack London was not truly a sailor or workingman; it is that these images are misrepresentations, and their source -- although clearly documented by Ms. Reesman in her book of Jack London’s photographs -- is apparently not known to Tichi. In fact, according to the information in Reesman’s book, Jack London himself took the photographs, which were later returned to him after “The People of the Abyss” was published. Jack London’s stepsister Eliza Shepard made notations under these images as to their origins in a scrapbook she gave to him after his return from England. (One of these images, “Jack London as an East-ender” was also used as the cover photograph for Jay Williams’ “Author Under Sail: The Imagination of Jack London, 1893-1902” and in Joan D. Hedrick’s book, “Solitary Comrade: Jack London and His Work” wherein Hedrick represents it as an image of “Jack London, member of the working class”. Thus, Tichi was not the first to be unaware of the image’s origins.)

Finally, I must correct Ms. Tichi’s assertion that Jack London was incapable of writing “crime fiction”. She states:

“Producing crime fiction, however, proved nearly impossible for London no matter how hard he tried. Eager to join the ranks of crime fiction writers, London sketched this plot: ‘A woman is held up by desperate young fellow, in her own house -- when police take him away...he turned his head as he went out and called her a name unspeakable and vile.’ London, however, abandoned this story...these notes were dispatched, null and void to London’s files.”

While the term “crime fiction” is rather vague, it would certainly include stories of criminal justice, as well as the investigation and solving of crimes. On both counts, Jack London has delivered convincingly. In fact, the very story Tichi claims Jack London “abandoned” was in fact written and published. It is called “To Kill a Man” and is included in a collection called "The Night-Born", and has been available for many years from various digital sources, including an ebook version. It is not an obscure work; I found an online analysis of the story posted by an English student nearly two years ago. A further, but partial list of Jack London’s excellent “crime fiction” also includes the short stories “The Enemy of All the World”, “The Minions of Midas”, “The Hanging of Cultus George”, “The Passing of Marcus O’Brien”, “Winged Blackmail”, "Just Meat", and “The Chinago”. And let’s not forget London’s “The Assassination Bureau, Ltd.”, a book later made in 1969 into a major motion picture starring Oliver Reed, Diana Rigg, Telly Savalas, and Curt Jurgens. To be fair, this novel was based at least in part on a plot idea London purchased from Sinclair Lewis, but it bears London’s name and the first 20,000 words are his own.

Despite these errors, Cecelia Tichi’s book is a worthy, even essential, addition to any Jack London study library, and is a good, solid read. She underscores London’s contributions to social progress and environmentalism, detailing his astoundingly advanced “Beauty Ranch” for what it was; decades ahead of its time, sustainable, organic, and scientific all at once. She rightly lauds several important novels usually dismissed by critics and biographers, among them “The Little Lady of the Big House” and “Michael, Brother of Jerry” and provides us with a fresh analysis of “The Valley of the Moon”. She also takes on Kevin Starr, and makes a strong case for the sources of Jack London’s depression which several credible authors feel contributed to his early death.

Tichi herself skirts adroitly any comment about the cause of London’s demise, merely stating “Death stalked [and] claimed the forty-year-old Jack London that night, November 22, 1916.”

Death did indeed come to Jack London, but his work lives on, as Tichi has once more shown us.

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Rabu, 27 Agustus 2014

Alice's Adventures in Wonderland (The Macmillan Alice), by Lewis Carroll

Alice's Adventures in Wonderland (The Macmillan Alice), by Lewis Carroll

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Alice's Adventures in Wonderland (The Macmillan Alice), by Lewis Carroll

Celebrating 150 years of Lewis Carroll's Alice

Lewis Carroll's Alice has been enchanting children for 150 years. Curious Alice, the bossy White Rabbit, the formidable Queen of Hearts, and the Mad Hatter are among the best-loved, most iconic literary creations of all time. Macmillan was the original publisher of Alice in 1865 and is proud to remain true to the vision of its creators. Every bit as iconic are Sir John Tenniel's remarkable illustrations, perfectly capturing the combination of the ordinary and the extraordinary at the heart of Wonderland.

  • Sales Rank: #495418 in Books
  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.00" l, .53 pounds
  • Binding: Paperback
  • 208 pages

Most helpful customer reviews

403 of 417 people found the following review helpful.
The name of this review is called "Haddocks' Eyes"
By A Customer
I finally, and seemingly permanently, misplaced the 40 year old copy of 'The Annotated Alice' (which I had pilfered from my mother's bookshelf) for the last time. I can't go more than a month or two without it so I rushed to buy a new copy...just weeks before the more beautifully bound 'Definitive Edition' was published. No matter, now I have two (perhaps even three if the original turns up).
My point is that this book contributed more to my understanding of logic and wordplay than several semesters of college philosophy classes. If you've read this far then I am probably preaching to the choir but 'Alice in Wonderland' can hardly be classified as a childrens' book, dispite Disney's attempts to do so. The concepts Lewis Carroll and Martin Gardner bring to this tale cover such areas as set theory, meta-language, Aristotelian logic, topography, game theory, several pre-Socratic logic paradoxes, and even quantum physics. Yet John Tenniel's original illustrations remain as an welcome tether to the original publication.
Gardner does a wonderful job of bringing all the various aspects of these two stories together as he illuminates layer upon layer of meaning that might not be evident to an American audience or, for that matter, a 21st century one. My favorite gems are the French and German translations of The Jabberwocky.
This book ranks in my top five favorite books of all time.

166 of 172 people found the following review helpful.
The Looking Glass Shows Hidden Humor
By Ian
I always enjoyed the twisted logic and unique sence of humor that I found in Lewis Carroll's Alice tales, the only problem I encountered was that some of the jokes required information that was no longer common knoledge. For example: when Alice continually misquoted the old English nursery rhymes I found myself wondering what the actual versions were, information that every child in Victorian England could have easily told me but that has since been lost to obscurity. After reading through this book I found the answers to all my original questions as well as many that I never considered asking. At first I thought that the commentary would strip the original work of its character and reduce it to a lifeless shadow. I found that the commentary did exactly the opposite, in a surreal way it made the book even more entertaining to read. The incredible detail of the commentary and the wide range of topics covered made the comments themselves seem part of the insane illogic that pervades the realms of wonderland and looking glass house. This does not mean that the coments themselves are insane or illogical, on the contrary they are all intresting and many offer new insights into the books, what makes the commentary so entertaining is how the story of "exactly 7 and one half" Alice is juxtaposed with comments on how the structure of the plot relates to physic and Robert Oppenheimer. Altogether I found the Annotated Alice to be a wonderful read and a gorgeous book which I recomend to anyone who enjoyed the original tales.

137 of 144 people found the following review helpful.
Master of Nonsense
By Bryan A. Pfleeger
The Annotated Alice provides a treasure chest of information on the two Alice books and on the man, Lewis Carroll who was responsible for their creation.
Martin Gardner provides annotations throughout the texts of both Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. Gardner's annotations help explain the inside jokes and mathematical and linguistic puzzles that fill the stories.
Reading the Alice books as an adult is quite a different experience than it was as a child. The books' complexity really stands out on a careful reading. In fact, what are generally regarded as children's stories can be amazingly frustrating to read due to the complexity of the language and the almost constant stream of puns that are sometimes lost on modern audiences. One must remember that the stories are told purely for fun. Unlike other Victorian children's literature one gets no morals, plot development, or character development here. Alice is a yound child who stays a young child throughout her adventures. She neither matures or learns anything from her adventures.
This is a very nice volume in its own right. It contains complete authoritative texts of both books and includes the supressed episode "The Wasp in the Wig." The original Tenniel illustrations are crisp and clear. The only difficulty is that the annotations are placed on the same page as the text in a small column that sometimes supplies more information than the text itself. The annotations themselves range from the definitional to the clearly eccentric. One can read all of them or only the ones that he or she is interested in.
On the whole this is an excellent volume well worth the effort to read if one has any interest in the world of nonsense literature.

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Airport Management (Kindle Edition), by C. Daniel Prather

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Airport Management is an up-to-date and industry-relevant textbook providing useful insight into all aspects of airports. With more than a decade of experience as an airport administrator, author Dr. Daniel Prather, A.A.E, CAM, provides a valuable, real-world perspective with an emphasis on the practical application required for the successful management and operation of airports.

This comprehensive resource covers:
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  • Sales Rank: #1187031 in eBooks
  • Published on: 2015-09-22
  • Released on: 2015-09-22
  • Format: Kindle eBook

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Senin, 18 Agustus 2014

Faulkner and Hemingway: Biography of a Literary Rivalry, by Joseph Fruscione

Faulkner and Hemingway: Biography of a Literary Rivalry, by Joseph Fruscione

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Faulkner and Hemingway: Biography of a Literary Rivalry, by Joseph Fruscione

In the first book of its kind, Joseph Fruscione examines the contentious relationship of two titans of American modernism—William Faulkner and Ernest Hemingway. At times, each voiced a shared literary and professional respect; at other times, each thought himself the superior craftsman and spoke of the other disparagingly. Their rivalry was rich, nuanced, and vexed, embodying various attitudes—one-upmanship, respect, criticism, and praise. Their intertextual contest—what we might call their modernist dialectic—was manifested textually through their fiction, nonfiction, letters, Nobel Prize addresses, and spoken remarks.Their intertextual relationship was highly significant for both authors: it was unusual for the reclusive Faulkner to engage so directly and so often with a contemporary, and for the hypercompetitive Hemingway to admit respect for—and possible inferiority to—a rival writer. Their joint awareness spawned an influential, allusive, and sparring intertext in which each had a psychocompetitive hold on the other. Faulkner and Hemingway: Biography of a Literary Rivalry—part analytical study, part literary biography—illustrates how their artistic paths and performed masculinities clashed frequently, as the authors measured themselves against each other and engendered a mutual psychological influence. Although previous scholarship has noted particular flare-ups and textual similarities, most of it has tended to be more implicit in outlining the broader narrative of Faulkner and Hemingway as longtime rivals. Building on such scholarship, Faulkner and Hemingway offers a more overt study of how these authors’ published and archival work traces a sequence of psychological influence, cross-textual reference, and gender performance over some three decades.

  • Sales Rank: #3011372 in Books
  • Published on: 2015-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .61" w x 5.98" l, .89 pounds
  • Binding: Paperback
  • 272 pages

Review

“Joseph Fruscione takes a long and always responsible look at the important and fascinating subject of the Faulkner-Hemingway rivalry, demonstrating along the way that there were losses to both writers, but, however perversely it seems to be, there were also enormous gains for their writing. It contributes significantly to the scholarship on these two literary giants, as well as shedding light on the intriguing ways rivalry can diminish the individual who writes the book even as it spurs him on to do more and often enough write better books.” —George Monteiro, professor emeritus of English, Brown University



 “In his carefully and systematically researched book, Joseph Fruscione provides Faulkner and Hemingway scholars and students with what I qualify as the definitive study on the lifelong relation between the two writers. He provides insights not only into the various ways Faulkner’s and Hemingway’s careers intersected, but also into the implications that such intersections had for the shaping and evolution of American Modernism.” —Manuel Broncano, professor of American literature, Texas A & M International University 

“Joseph Fruscione’s study is the best, most balanced account ever produced of the artistic relationship between William Faulkner and Ernest Hemingway. Their careers dominate twentieth-century American literature, and, as this book shows, the example and work of each writer informed and influenced that of the other. Both men recognized the value of the other, and Fruscione goes a long way toward explicating the complexities of admiration and jealousy on the part of both. Fruscione is not a partisan of either writer; his book is one of sound, objective scholarship and writing.” —Robert W. Trogdon, Kent State University

About the Author
 Joseph Fruscione is adjunct professor of English at Georgetown University and adjunct assistant professor of First-Year Writing at George Washington University.

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4 of 4 people found the following review helpful.
Writers Behaving Badly
By David Anderson
Fruscione's book is more interesting than most biographies of literary figures for one simple reason: it's about the books. Most bios start out with the parents, the hometown, the siblings, then progress to the marriages, the travels, the houses, the lovers, the divorces, the children, the vices, and everything else you never wanted to know. Sometimes biographers even touch on how their subjects got the ideas for their books. Sometimes not. A recent bio of Jack London devotes more space to London's introduction to surfing on a trip to Hawaii than it does to Martin Eden or The Call of the Wild.

This book is focused on the bitter literary rivalry between William Faulkner and Ernest Hemingway and--most important of all--how this rivalry affected what they wrote. I knew the two had a rivalry, but Fruscione convincingly demonstrates how deeply and pervasively this rivalry inserted itself as the subtext in so many of their greatest books: The Wild Palms, The Unvanquished, Death in the Afternoon, the hunting stories, Requiem for a Nun, The Old Man and the Sea, A Fable, Across the River and into the Trees, and The Dangerous Summer, to name but a few. There is also relevant and interesting discussion of the rivalry as it surfaced in their letters, public statements, and Nobel Prize addresses. The analysis is detailed and illuminating--and also by far the main focus of the book. This is not a gossip volume; it is literary analysis. There are certain aspects of the writings of both men that you will never fully understand if you have not read this book. That makes this book essential if you are serious about coming to grips with either of these amazingly gifted writers.

Both men realized that they were the leading candidates for the title of America's most important writer of the 20th Century, and both realized that they were each other's main rival for the title. Fruscione deftly shows how this seems to have brought out the worst in both of them. Both men were capable of notable generosity of spirit, just not with each other. Occasionally they tried to show some basic humanity in their dealings with each other, but it always seemed to end in willful misreading of each other, followed by vindictive reply, recrimination, apology, snide asides, and a repitition of the whole cycle again. Both were capable of humor, but the story in its entirety is ultimately tragic. Had they been friends instead of vicious competitors, both might well have achieved even more than they did.

Fruscione gives the edge in achievement to Faulkner and the edge in competitiveness to Hemingway. Sadly, all three--Faulkner, Fruscione, and--saddest of all--Hemingway, seem to have forgotten what Hemingway wrote in the first chapter of Green Hills of Africa: "There is no order for good writers" (p. 22).

I found only a very few of what I consider to be proofreading errors (often omitted words) on the following pages: 157, 165, 188, 197, 199, 201, and 238. I found no errors of fact in the book. Every once in a great while there's something like "a diverse, nuanced, and paradigmatic American modernism that echoed the intertextuality and occasional animus seen in European modernism" (p. 151) or "Such talk of and obsession with particularly mythic animals textures the dynamic of the hunters' communities" (p. 228). (Lamentably, my own animus with the tedium of late 20th-Century literary theory has probably textured the dynamic of my reactions to these sentences.) However, aside from such rare lapses into dissertationese, Fruscione's prose is lucid and easy to follow. If you have read Hemingway and/or Faulkner, you'll have no trouble with this. Well, like me, you might have trouble putting it down.

The book has no dust jacket. Everything normally found on the jacket is on the front and back covers. The volume itself is solidly constructed. If you have online access to an academic database, a comprehensive and thoughtful review, written by Neil Stubbs, of Faulkner and Hemingway: Biography of a Literary Rivalry may be found in the Spring 2013 issue of The Hemingway Review.

1 of 1 people found the following review helpful.
The editor should be lashed because this could be a great book. Each min-essay should be diagramed for content ...
By Seth W
This book is both fascinating and extremely frustrating. There are numerous redundancies that wear on the reader (me) after a while. The editor should be lashed because this could be a great book. Each min-essay should be diagramed for content and the paragraphs summarized and labeled for theme or lead idea. How many times do we need to be proven that Faulkner and Hemingway are "aware" of each other or each other's creative powers. Most people who admire these two writers understand this aspect intuitively. How could they not be? How many times do we need to be told in the extremely long introduction that "this sort of book has never been written?" I guess seven times is a charm.

However, once the book is rolling the correspondence and competitive aspect of their relationship was a lot of fun to read and the author is obviously a scholar worthy of his mighty subjects and he is equip enough for the task for us to trust him.

A minor quibble (but very annoying to the OCD, which I gather will be your main audience for such a book) : I do not see the purpose for the word, "psychocompetitive" nor do I see the need to cram it in every other paragraph. It's one of those words that seems a bit to close to a portmanteau and the word "competitive" would work just fine in most cases. It would be less wearying for the reader to constantly materialize the meaning of this word and apply it fittingly or in the way the author desires. After all, "competitive" is a wonderful word that encompasses all the Freudian and Jungian baggage the author needs to drive home the point. Most athletes will tell you that nearly all of real competition on the field or court is psychological so it ends up being a redundant word used within redundant thesis statements. Perhaps "influence" might do fine as well?

All in all, I'm enjoying the book and picking cherries on every page and the cherries are delicious. I think it could be trimmed a good 30-40% and offered as a nice paperback or handbook of sorts. The subject matter is delightfully petty, even though the author argues that the competition drove the creativity of the two authors, thereby elevating this dynamic to a standard worthy of dissertation. I get it; I really just want to hear what they said about each other and how much they wanted to knock the hell out of each other in the literary ring. It could stand to be rewritten in less lofty, less dissertation-y prose and to be trimmed of its redundancies.

0 of 0 people found the following review helpful.
I enjoyed the book
By D. M. Wilson
Readability: Difficult to Moderate. Full of academic language: few common phrases and cliché's. Concise, clear language. No explicit words found, save for those quoted by Hemingway and Faulkner.

Novel Premise: Engaging! What happens when two literary giants live and write during the same era? A passive-aggressive rivalry, of course, and one that's quite entertaining. It traces the different eras of the modernist period, starting with interactions with Sherwood Anderson, and pushing on past military service, into the eventual end of each author. There are plenty of comparisons with letters, off-hand comments, and - yay! - Faulkner's addressing his class, ranking Hemingway in a list of 'the best' writers - but not ranking him highly. There are also comments from the author's about other writers (Steinbeck, for instance). Interesting and well-planned.

Overall Impression: I enjoyed the book. It's an academic book written by an academic, so we're not ranking the prose within the novel, nor are we really concerned about narration - although, in this case, there is a few idiosyncrasies that stick out, such as the use of the term 'psychocompetative'. This is a term the author made up. I'm a literary major myself, and I looked into it - even checked with my professors - and, apparently, the only person to ever use this term (so far as I can find in the university library and online database) is Fruscione, himself, who coined the term without any head-nod from a psychology department - and the term is repeated too often. The point, though, is that the book looks into the psychological states of both men, as it relates to their competition once both were aware of the other, and the book makes it fun, which is important. I was excited to receive it in the mail, excited to read it, and I'm excited to have read it.

Literary Merit: This is not a textbook, but a book about writers which one finds in most textbooks about literature. As such, it has merit in that it's a study (one of the few) about the exchange between Hemingway and Faulkner's, exploring both their similarities and their differences. If I were to write an academic paper on this topic, this is a book I'd reference.

The Bottom Line: Great for Hemingway and Faulkner fans (I'm a Faulkner fan, myself). Great for people interested in the modernist period, or in the mindset behind two separate and distinct writing styles. Good for someone who is looking to be entertained, or for someone who is interested in actually making a study out of the content. Not good for someone bored by academic writing, biographies, or those that despise indirect conflict. Not good for OCD academic types, who can't let go and enjoy a thing for what it is (I'm not this type, luckily!). I liked the book and rated it four stars out of five.

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Minggu, 17 Agustus 2014

Leipzig!: One Thousand Years of German History - Bach, Luther, Faust: The City of Books and Music, by Sebastian Ringel

Leipzig!: One Thousand Years of German History - Bach, Luther, Faust: The City of Books and Music, by Sebastian Ringel

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Leipzig!: One Thousand Years of German History - Bach, Luther, Faust: The City of Books and Music, by Sebastian Ringel

Bringing to life the stories of the ordinary and famous Leipzigers, this book takes readers through the 1,000-year-old history of the city of books and music. This book contains a rich history of Leipzig, from St. Thomas Church where Johann Sebastian Bach composed his cantatas to Martin Luther’s dispute of the future of Christianity at Germany’s second oldest university to the rallies at the St. Nicholas Church that led to the downfall of Communism. Located at the meeting point of historic imperial roads, Leipzig is also the site of one of the world’s oldest and largest book fairs. A sweeping overview, this book highlights the famous stories of what is now a splendidly rebuilt city.

  • Sales Rank: #1661037 in Books
  • Published on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .70" w x 6.70" l,
  • Binding: Paperback
  • 230 pages

Review
"[Leipzig!] features many famous Leipzig figures and brings to light long-forgotten details from the city's fascinating history."  —Leipziger Internetzeitung

"Exciting stories about Leipzig abound!"  —Radio Mephisto

"1,000 years of comedy and tragedy"  —Leipziger Volkszeitung

About the Author
Sebastian Ringel is a Leipzig novelist who grew up in a small town in Saxony. He studied history in Dresden, where he also became an occupational therapist. His first novel, The Monotony of Yeah, Yeah, Yeah came out in 2002, followed by a collection of stories and poems, My Dog the Fish. His latest novel, 5.8 People was inspired by a year-long sojourn in Australia. In addition to writing, he works as a tour guide in Leipzig. 

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1 of 1 people found the following review helpful.
Three Stars
By Amazon Customer
historically very good, photos could have been clearer

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