Lovecraft's Southern Vacation: A Robert E. Howard LitCrit TriplePunchPack!, by Brian Leno
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But how about Howard vs. Lovecraft?
I’ve known of the versus for a long time (see my remarks on the Howard-Lovecraft correspondence in the first issue of Necrofile back in 1992), with their ongoing debates known by the overarching term “Barbarism vs. Civilization” — but I credit my awareness of the rivalry specifically manifesting itself in “Pigeons from Hell” to none other than Brian Leno.
--- Don Herron, from the Afterword to Lovecraft's Southern Vacation
Lovecraft’s Southern Vacation collects the crème de la crème of Cimmerian Award-winning essayist Brian Leno’s Robert E. Howard criticism together for the first time under one set of covers, with an Introduction and Afterword by Don Herron.
The title essay rocked standard perceptions of a classic supernatural tale that everyone thought they knew inside and out — as Leno took Howard’s “Pigeons from Hell” and showed convincingly how it satirized the New England horror fiction of H. P. Lovecraft.
Then Leno took to the texts again to investigate one of the long-standing puzzles of Howard’s life: Did he or did he not see the 1933 film King Kong before his death in 1936?
And trust to Leno to come up with an unexpected source for Howard’s popular tale “The Frost-Giant’s Daughter,” featuring the Texan’s most famous creation, Conan the barbarian.
If you enjoy Howardian litcrit, Leno’s got the knack.
"I’ll be adding info that helps to confirm your theory in re: 'Pigeons'—a brilliant observation & deduction—in my REH chapter of Lovecraft’s Great Tales!"
--John D. Haefele, author of A Look Behind the Derleth Mythos
- Sales Rank: #1153782 in eBooks
- Published on: 2015-09-29
- Released on: 2015-09-29
- Format: Kindle eBook
Most helpful customer reviews
1 of 1 people found the following review helpful.
Robert E. Howard vs. H. P. Lovecraft: A Battle of Wits and Writing
By G. Warlock Vance
While known primarily for his scholarly essays on Robert E. Howard, Mr. Leno's latest work combines his knowledge of Howard with that of H. P. Lovecraft. This magnificent piece reflects the tireless care that goes into all of Leno's research - in particular the Old Gent's correspondence and epistolary rivalry with Two-Gun Bob.
What readers will find refreshing is how Leno manages to write a book that appeals not only to academics who wish to poor over the literary bones of these epic writers of pulp era fiction, but also to those who simply enjoy the narratives of Robert E. Howard and H. P. Lovecraft. There is a much-needed humanity in Leno's writing, which demonstrates the very real foibles experienced by each of these authors, and allows readers insight into their works that is sorely lacking in the less capable hands of some critics of genre material.
The overall presentation makes this very reader-friendly as the book is easily translatable to Kindle and phones. I downloaded this to my Android and the pages are easy to see and the flow of text makes for a breeze to read.
I highly recommend Mr. Leno's fine work as an example of how REH and HPL scholarship should be presented - literarily, yet from a personable perspective. Bravo.
0 of 0 people found the following review helpful.
Insightful Essays on Robert E. Howard
By Scott Sheaffer
As good as the title essay is, exploring one Howard's best stories (“Pigeons From Hell”), the other two essays are even better. One examines possible influences on Howard's humorous westerns. The other discusses possible influences on “The Frost-Giant's Daughter.”
This book's major weakness comes in the title essay. It's well-written. I believe it is spot on about “Pigeons From Hell” being Howard's response to Lovecraft's preference for New England as a setting for weird fiction. It's also right about “Pigeons” containing aspects of the debates Howard and Lovecraft engaged in, in their letters to each other. The weakness is that I believe that Leno misunderstands Lovecraft and his attitudes. For instance, Leno seems to think that Lovecraft would be insulted to recognize a thinly disguised version of himself in a story incorporating Southern folklore and advocating the South as an even better setting for horror than New England. Yet, Lovecraft and other writers he knew put each other in their stories on a number of occasions. Their reactions come across as good natured ribbing. For instance, Robert Bloch -the future author of Psycho, put Lovecraft in a story, and Lovecraft responded by having a thinly disguised version of Bloch meet his demise in another story. As for Howard's advocacy of Southern horror, didn't Lovecraft himself urge Howard to utilize Southern folklore and locales? In using New England as a setting and extolling it as the best setting for horror, Lovecraft was essentially following the advice to “write what you know.” He basically encouraged Howard to do the same. I don't think Lovecraft would be insulted that Howard favored his region just as Lovecraft covered his own as a setting for horror. Yes, Howard and Lovecraft engaged in contentious debates, but the indications are that Lovecraft treasured those letters from Howard. Maybe “Pigeons” would have inspired Lovecraft to write his own story in response.
That weakness though, still is not enough for me to consider giving this book less than five stars. That weakness is actually stimulating, providing food for thought and discussion. I highly recommend these essays to all Robert E. Howard fans.
0 of 0 people found the following review helpful.
Brian Leno? 5-Stars!
By John D Haefele
Brian Leno? Well, the big debate began in 2006, back when Leo Grin’s The Cimmerian was raising litcrit bars with every issue—a debate that lasted three years, only ending because Leo ceased publishing the print journal.
I held a front row seat. Don Herron promoted me out of the Esoteric Order of Dagon roster—the longstanding amateur press association devoted to H. P. Lovecraft—believing I’d prosper in the TC venue, where ideas trumped personalities, where the leaders participated, an arena quite unlike the EOD.
Indeed, TC was an arena, with hotly debated disagreements in most issues, but always to promote deeper understanding.
In the February 2006 issue Grin introduced (in the appropriately named “New Blood” editorial) Brian Leno’s “stellar essay that points out how the genesis of one of Howard’s greatest stories can be directly attributed to the symbiotic literary association he shared with the horrormeister from Providence.”
I read “Lovecraft’s Southern Vacation” in one gulp, and saw Conan-red.
Most Lovecratians will, the first time they read it. HPL acting and reacting like a normal person, in his mature years! Unheard of!
My EOD-influenced reaction was that Leno’s wrong. A Lovecraft fan named Graeme Phillips even responded with a lengthy rebuttal in the aptly-named “Lion’s Den” letter column.
For reasons unrelated, I began corresponding with Phillips. Leno’s name came up, and I remember complaining about his “deliberately controversial” approach.
Then I noted that Leno in a Den letter politely refuted the charge that being Howardian meant being biased. Where he patiently explained that he could always appreciate HPL, both “the man and his writing.”
Most Leno remarks were made to answer the rebuttal by Phillips; and I began to help Phillips organize his next stand. I dug deep, only to realize that Leno was not entirely wrong.
Some of his facts were disconcerting, but facts nonetheless. To bolster my own prejudices, I decided he had made “selective use” of these. I dug deeper.
Finally, though I still didn’t fully agree with everything Leno wrote, the time came for me to warn Phillips that he and I were no longer on the same page, either. I alerted him first: “I admit that I changed stripes … it does appear to me that Howard put in a few in-jokes, at least into ‘Pigeons.’ I didn’t want to accept that at first….”
For August 2008’s Den, I submitted (tactfully couched within several windy paragraphs) this opinion: “I think Brian’s theory has real merit.” And I thanked Brian for identifying a “brilliantly open-ended possibility—a puzzle, for now at least, that we can all enjoy.”
To be fair, Phillips never had much of a problem with the “Pigeon” interpretation, but he did object to a delivery that included (it seemed to us) contentious, irrelevant and unnecessary claims made about HPL. The “Pigeon” assertions, Phillips allowed, might be true, but they’d mean very little since we can’t be certain.
What I still couldn’t admit is that something did come between these two highly regarded authors, Howard and Lovecraft, the result of debating contrasting worldviews in their correspondence. That their differences had grown, until each began to harbor—knowingly or not—degrees of resentment directed towards the other.
I dug even deeper.
The proverbial “last word” in the Leno-Phillips debate turned up at the last minute, in December 2008’s Den, in the last print-issue of TC. Turns out it had fallen to me—I would have the last word—admitting finally (with some justification) that in the end I was forced to side with Leno.
Brian Leno? Well, his “Lovecraft’s Southern Vacation” essay is remarkably incisive. A new way of interpreting and appreciating Howard’s classic horror story “Pigeons from Hell.” And, for provoking a glimpse of HPL in the unvarnished state, more authentic than so many portraits contrived in the sedate world of Lovecraft studies.
That debate-in-print is ended. Leno’s essay is proven best-in-class effective; but with all the digging, I found even more Leno-favoring evidence to weigh in on one day, when I add to the discussion in Lovecraft: The Great Tales.
Brian Leno? “Lovecraft’s Southern Vacation” is the first of three Leno essays showcased in A Robert E. Howard LitCrit TriplePunchPack!—now that’s one attention-getting series-name I can feel!—along with the Introduction and Afterword by Don Herron,
Definitely 5-Stars!
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