Addison LIBRARY: Salome (Xist Classics), by Oscar Wilde

Salome (Xist Classics), by Oscar Wilde

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Salome (Xist Classics), by Oscar Wilde

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Wilde’s French Tragic Play

“Neither at things, nor at people should one look. Only in mirrors should one look, for mirrors do but show us masks.” - Oscar Wilde, Salome

Written in French, Salome by Oscar Wilde is the theatrical reproduction of the famous Biblical story with the same name. Salome is the daughter of Herod and requests his father to meet Jokanaan (John the Baptist) who is his prisoner. The father grants her daughter’s wish and Salome falls in love with John. The holy man rejects Salome but she isn’t quite ready to give up yet.

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Sales Rank: #1244886 in eBooks
Published on: 2015-09-04
Released on: 2015-09-04
Format: Kindle eBook

Review
"An operatic riff on the destructive potential of desire and power"-Times

"lyrical, exotic and dark in the extreme"-Whatsonstage.com

Language Notes
Text: English (translation)
Original Language: French

From the Inside Flap
A dark tale of hubris, lust, and self-destruction as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salom in French, and the play was so controversial that no theatre in England would produce it for nearly four decades.

An L.A. Theatre Works full-cast production starring:

Rosalind Ayres as Herodias, James Marsters as Iokanaan, Andre Sogliuzzo as The Young Syrian and others, Kate Steele as Salom, John Vickery as Herod, and Matthew Wolf as Page of Herodias and others.

(DIGITAL ONLY: Director Michael Hackett and Wilde scholar Dr. David Rodes discuss Salom 's history and where it fits stylistically in Wilde's canon.)

Music by Djivan Gasparyan and Lian Ensemble. Directed by Michael Hackett. Recorded by L.A. Theatre Works before a live audience.

Most helpful customer reviews

37 of 39 people found the following review helpful.
Wilde's erotic play with Beardsley's decadent illustrations
By Lawrance Bernabo
The Salome legend has its beginnings in the Gospels of Matthew (14:3-11) and Mark (6:17-28), which tells of the beheading of John the Baptist at the instigation of Herodias, wife of Herod. The queen was angered by John's denunciation of her marriage as incestuous (she had been married to Herod's brother). In both accounts, Herodias uses her daughter (unnamed in scripture but known to tradition, through Josephus, as Salome) as the instrument of the prophet's destruction by having her dance for Herod. The story of Salome was prominent in both literature and the visual arts until the end of the Renaissance, and was revived in the nineteenth century by Heinrich Herne, and explored by such divergent authors as Gustave Flaubert, Stephane Mallarme, Joris-Karil Huysmans, and Oscar Wilde.
Wilde wrote "Salome" in French in 1893 for the famous actress Sarah Bernhardt. The play was performed once in Paris in 1904, and today is much better known as the libretto for Richard Strauss' operetta. In large part Wilde ignores the idea that Heroidas is the prime mover behind John death, focusing instead on the eroticism of Salome's passions for the Baptist. In this version of the story, John rejects the princess who then dances the infamous Dance of the Seven Veils for Herod to achieve her revenge. Of course, fans of Wilde, or at least those who know the highlights of his life's story, will recognize the name of Lord Alfred Douglass, the translator of the play into English. However, whatever the merits of the play, the chief attraction of this volume remains the illustrations.
Aubrey Beardsley was an important artist in the Esoteric Art movement of the "fin du siecle" (end of the 19th-century). A close friend of Oscar Wilde, he did both the illustrations and stage designs for Wilde's play "Salome." Obviously Beardsley represents the "Art Nouveau" school, but he also showed an affinity with the Symbolists and Pre-Raphaelite schools as well, all of which explored the rich symbolism of Judeo-Christian and pre-Judeo-Christian Pagan mythos. In this context the story of Salome is ideal. However, Beardsley remains the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotic themes which he explored in his later work. Beardsley was not interested in creation any illusion of reality, but like the Eastern artists he studied, was concerned with making a beautiful design within a given space. His work on "Salome" is considered some of his finest examples of decadent erotica. This volume has 20 such illustrations, including those originally suppressed when the book was first published in 1905.

20 of 20 people found the following review helpful.
Beauty and eloquence and a perfect distillation of love
By Rebecca M. Deaver
This play takes a psychotic murderer from the bible who used her beauty and sex appeal to get her way...and turns her into a wholly sympathetic character. The star of this play is charged with life and vitality and a kind of beautiful, moving viciousness, and Oscar Wilde reminds us that Salome was not the [person] portrayed in the Bible and most Christian literature. She was an old-fashioned fairytale princess, albeit one capable of murder, and she had never truly loved a man before Iokanaan.
As for Iokanaan (the exotic Hebrew name given to John the Baptist), he is arrogant, vicious, and cold, and his emotional brutality toward Salome makes him literally impossible to like--an interesting portrayal of this so-called "Holy Man" and a reminder that John the Baptist was not a Christian, but an old-fashioned, "law of Moses", stone-casting Hebrew of the time.
Still, above and beyond the characters is the trademark beauty of Wilde's word-play, which in my opinion has never quite equaled this anywhere else. From the ironic wit of Herodias ("There are others who look too much at her"), to the sappy, empty-headed, yet still beautiful pomposity of Herod, to the pitiable misery of Narraboth, a young Syrian guard who loves Salome, to the religious rants and prophecies of Iokanaan (mostly re-written Bible verses), every word of the play is a treasure.
However, none of these things can equal Salome's adoring eloquence when describing Iokanaan's beauty. Every word of that speech is a treasure. The fact that she loves him is, in fact, the only thing that makes Iokanaan likeable to any degree. This play proves that Oscar Wilde can actually write serious literature as well as or better than he can write witty banter.
Of all the stage plays I have ever had the privilege of experiencing, this one is by far the most dear to me. You haven't lived until you have at least read it. Get this manuscript; it is the most precious you will ever buy.

26 of 29 people found the following review helpful.
A Simple Tale of Complex Pasison
By Kevin C. Snipes
This affordably-priced edition of Salome contains all the Aubrey Beardsley drawings and is the English translation undertaken by Lord Alfred Douglas of Wilde's most brilliant tale of passion, which was originally written in French to avoid (unsuccessfully) Victorian censorship. Salome is a simple tale of complex passion. Wilde's heroine bears no resemblance to her biblical origin. His Salome is no mere instrument of Herodias, but a dangerous and passionate young woman whose thwarted affections for John the Baptist lead to a disasterous climax for all persons involved. Wilde's script is a brilliant look at deep-rooted desires and the dangers of obsession. This edition of the play is a must for anyone building their own theatrical library.

Addison LIBRARY

Senin, 28 April 2014

Salome (Xist Classics), by Oscar Wilde

Salome (Xist Classics), by Oscar Wilde

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